While English cuisine has long been associated with the myth of being bland and boring, in my opinion that is precisely what it is – just a myth. Perhaps the strong colonial influence on the Kiwi diet has equipped me with realistic expectations of what can be found in England despite having never been there before, and thereby allowing me to make more informed decisions – such as steering away from the "quintessentially British" fish and chips, not only because we can enjoy ones that are just as "authentic" back home, but also because we know how hard it is to even find a decent one! However, educated guesses aside, the cultural melting pot that England (and London in particular) has gradually turned into has also introduced some innovative talents into the culinary scene and opened up a refreshing dimension to the definition of English cuisine that challenges the current stereotypical view. Though we had neither the insatiable appetite nor the inexhaustible wallet to trial every single restaurant that caught our fancy, we did thankfully have plenty of time to carry out some careful research and narrow down our options - unsurprisingly most of these final candidates ended up in London since we were staying there for the majority of the second half of the trip. A week was not long by any standards, but I dare say we did manage to get a taste of some of London's very finest.

Without a doubt, the most creative culinary experience we had in England was at the Modern Pantry franchise in London. I first heard about this popular dining spot from a Japanese documentary on London featuring the elegant actress Amami Yuki. The owner Anna Hansen not only has a Nelson connection (apparently she is a relative of Jens Hansen – the legendary ring maker for the LOTR film trilogy! What's more, she worked for a catering business on Hardy Street when she was a teen), but her adventurous approach to combining flavours across a wide variety of cultures had me immediately intrigued. Not willing to miss out on either one of her two restaurants, I decided to book in first for lunch at the original Clerkenwell restaurant, then for afternoon tea a couple of days later at the newer Finsbury Square location.

And by golly am I glad I did!

The food – where do I even start? The unique blend of flavours was pure genius and acted not only in harmony, but in synergy to propel the dishes to astonishing new heights. Although I loved every single dish we ordered, my favourite at the Clerkenwell restaurant was the sugar-cured New Caledonian prawn omelette – the balance of sweet and salt was perfectly accentuated by the freshness of the spring onion and coriander, and I simply couldn't shovel the whole plate into my mouth fast enough! I was also particularly excited to see the many asian(especially Japanese)-inspired twists that some of the dishes subtly incorporated – such as ponzu mayonnaise and yuzu tofu cream. While it's easy enough finding a steak in just about any restaurant in New Zealand, it certainly isn't everyday that you can enjoy it with a grilled miso and tamarind marinade or cassava chips! Even the feature cocktail was a fantastic surprise – "Palomita", with Stelacello Pompelmo liqueur, lemon, and Eau De Vie Mirabelle, was literally a burst of sweetened fresh air in a glass despite its suspicious green colour and the rather exotic concoction of difficult-to-pronounce ingredients.

However, if I was impressed by the food at Clerkenwell, I was totally blown away by the afternoon tea course at Finsbury. The setting of the Finsbury branch was actually a lot more spacious and comfortable, but what really overwhelmed us was again – the culinary expertise. Also far from traditional, the delicate morsels of mouth-watering creations were rather more like little lovingly wrapped presents that held things that you hadn't even known you wanted. From the warm poached quail egg on a bed of Kashmiri masala beetroot, carrot, potato and spring onion hash and drizzled with moromi miso and yuzu hollandaise, to the rich but divine chocolate, peanut butter and miso caramel shortbread, the anticipation built dramatically with the arrival of each course and yet each one somehow managed to upstage the dish that came before – either that or each course simply surprised us in a completely and delightfully different way. That was the other radical demonstration by the restaurant – rather than presenting all the savouries and sweets on tiered plates like you would expect for any traditional English afternoon tea, the Modern Pantry decided to serve theirs in a six-course degustation style that allowed for a choice of pairing specially-selected teas or – wait for it – CRAFT BEERS with each of their tasty creations. While I opted for the tea option, you can probably guess which option Dad pounced on in a heartbeat (and he's still raving about it I assure you). As if all that wasn't amazing enough, the fact that the lovely Modern Pantry staff could cater for Mum's vegetarian preferences amongst all these complicated combinations of ingredients was just the icing on the cake. The feta-filled pai tee with tamarind yoghurt and puffed wild rice? Astonishing.

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I have a feeling I am going to struggle a bit putting together the highlights of this section of the trip after separating from the tour group – just because there is simply a mountain of fascinating sights I would so much like to share. Yet somehow I doubt it would be just as interesting for you if you had to plough through it all on a tiny screen and try to imagine the colourful tastes and sounds by squinting at black and white texts - when you could venture out there and immerse yourself in the full experience. That is why I have decided to sort some of the most memorable spots we visited into several key themes that I consider essential for a (first-time) trip to England.

Religion

I think it would be extremely difficult to talk about the history of England, or any country in Europe for the matter, without probing the subject of religion. Although religion may seem to play a much more minor role in many people’s lives now compared to a few centuries ago, its role in shaping the current face of society is unmistakable. And in some parts of England, the presence of religion over time can be felt even more clearly than others. The city of York, I think, is one of these places.

York was our first stop after going our separate ways from the tour group, and I immediately fell in love with its maze of medieval architecture and shadow of history that seemed to seep out from every weathered brick and stone. Despite the tourist crowds that seemed to either fill up all the loveliest shops on the main streets or deliberately pause in the most inconvenient of places to take photos, there were corners of the city that hinted at a past of neglect and bloodshed – many of it a result of the Reformation beginning in 16th century with King Henry VIII's establishment of the Church of England in place of Catholicism, and the consequent Dissolution of the Monasteries that eventually led to public revolt (including the Pilgrimage of Grace that actually began in York in 1536). This past could not have been felt more distinctly than the site of St. Mary's Abbey, or rather what is left of it. Situated in the peaceful surroundings of the Museum Gardens, the crumbling ruins of the Abbey was prominent enough to find and yet deteriorated enough to make it hard to picture its past glory as one of the most important abbeys in England, with a size that apparently rivaled that of the still-standing York Minster. Nowadays it would perhaps be easier to comprehend its role in crafting York's reputation as one of the most haunted cities in England (although sadly the Ghost Tour we took part in did not include St. Mary's in its route!). A reputation that is, mind you, the last thing on my mind as we took a morning stroll along the York City Walls and was met with a breathtaking view of immaculate gardens bathing under the golden rays and set against the majestic backdrop of York Minster, the distant bells of which completed a picture of film-like European fantasy. It was truly as if I had stepped back in time, with neither the brilliant promises of the Enlightenment nor the threatening claws of the World Wars in sight.

From how the beginning of the Reformation in England had largely been attributed to King Henry VIII, it probably won't come as a surprise to learn of the complex and indivisible relationship between religion and monarch. The two were, and remains to this day, like two sides of a coin – with all British monarchs automatically inheriting the title of Supreme Governor of the Church of England since Queen Elizabeth I's reign. But the relationship of course extends beyond the adoption of a mere title – the tradition of all coronation ceremonies taking place in a church, Westminster Abbey, ever since that of William the Conqueror in 1066 serves as yet another example of the interdependence between these two pillars that were once all that was needed to hold up a nation (before the Government came along). Just imagine my wonder at seeing the very wooden Coronation Chair that has been used by all the famous Kings and Queens ever since 1308!! Not to mention paying our respects at the memorials and monuments belonging to the likes of Queen Elizabeth I, Mary Queen of Scots, G.F. Handel, Sir Isaac Newton, Charles Darwin, Ernest Rutherford… just to name a few! Although I was already aware prior to the visit that many monarchs and people with significant historical achievements or status were interred at the Abbey, I was still astounded by the number that was interred there – a staggering 3300! With that in mind, I just couldn't help but wonder… if William and Kate ever felt a slight chill while saying their wedding vows inside such an enormous tomb? (But then again, with England's long history of civilization I'm sure every inch of soil is bound to have seen some deaths in the past)

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  • Dec 29 Thu 2016 11:46
  • Moana


距離最初聽說迪士尼要以南島民族為題材製作一部年度動畫長片不知不覺也已經過了兩年,但當初看到概念圖稿時的興奮與期待直至前天踏入電影院的那一刻我才意識到真的是有增無減。雖然自己在血緣上並不算是屬於少數民族 (至少這輩子不是XD),但好歹也是在(據說)五千年前南島文化始源地的台灣出生,在原住民雲集的台東度過一小段童年,又成長在南島民族遷移路徑的最後一站 - 紐西蘭就算對他們整體文化以及語言的理解上有限,但長時間生活上的接觸跟學校教育的薰陶所造就的親切感正象徵著一種不置可否的牽絆。

***(警告: 以下有雷!!)***(SPOILERS AHEAD!!)***

Moana是一個關於生存與找尋自我的冒險故事。劇情以一位島嶼公主 (Moana) 對海洋的熱愛跟憧憬為起點,並描述她如何在逐漸滋長的航海欲望以及族人的期許之間作出抉擇,又是如何在這掙扎的過程中用她的勇氣跟善良克服自我認知上的迷惘。而她最終不僅在祖靈的引導下完成了拯救部落的重大使命,也擊敗了內心的黑暗迎來真正的海闊天空。

雖然一直知道原住民對家庭跟部落凝聚力的重視,但要不是這次突然發覺Moana與花木蘭這兩位同樣堅強又獨立的迪士尼女主角之間的相似之處,大概也不會把島嶼文化跟華人的價值觀相提並論 (畢竟普遍來說前者的樂天實在跟後者的嚴謹有隔閡啊)。當然無論是兩位女主角犧牲小我完成大我的抉擇,還是她們異於常人的英勇跟毅力在動畫的呈現下難免會與現實不符。但這在某種潛藏的「責任」下不顧一切為家庭付出的行動無論是華人口中的孝順也好,還是島嶼部落公認的領袖職責也罷,或許華人與島民在這方面可說是頗有異曲同工之妙呢!(是說如果都歸功於人性中原本就存在的「無私的愛」那這不受種族限制的共通點也不足爲奇了) 不曉得兩位女主角雖然都惆悵地唱出與她們無緣的「perfect daughter」一詞,但分別在她們心中浮現的身份定義又到底有多相似呢?

Moana勾起的迪士尼回憶可不只花木蘭一個!大概是因為知道Moana是出自迪士尼所屬的皮克斯工作室,在觀賞的同時就會不斷下意識的搜尋著其他迪士尼人物的影子。像是Maui 跟「刺青Maui」擊掌的片段就立刻讓我想到阿拉丁中精靈跟魔毯的互動,還有充滿生命力的南洋風配樂特別是片頭讓人心頭一凜的呼喚 – 不只是跟獅子王中取自非洲土著風格的配樂有精彩的呼應,也與毛利還有台灣原住民的音樂非常的相似 (像是毛利儀式中的迎賓karanga),讓我感受到一種難以形容的溫暖。但當然除了歌曲動聽之外,最讓我感動的還是跟我心中所瞭解的台灣原住民與紐西蘭毛利人文化有所連結的許多其他細節跟片段。尤其是今年才剛完成博物館毛利文化的導覽集訓所以較能體會一些原住民習俗背後的意義 - 無論是歌曲中一閃而逝的島民生活型態 (編織籃子,用烤熱的石頭烹飪等等) Maui透過刺青訴說的傳說 (還記得小學有讀過他用繩索拖住太陽神的神話!),還是主要角色們穿插的一些熟悉動作 (戰舞,把象徵性的項鍊傳承給下一代) ,都讓我深刻的感受到迪士尼在製作與籌劃的過程時對島民文化的尊重跟用心。最讓我動容的一幕是當Moana面臨Maui的背叛而心灰意冷時,部落祖靈好像在指引她似的在繁星點綴的汪洋上乘風破浪勇往直前,使她又再度尋回了方向以及堅持到底的勇氣。這段不僅配樂震撼人心,隨著Moana的心境從黯然到澎湃,祖靈的引用還有「傳承」的描繪更是讓我因為一股油然升起的愛國之情而莫名的熱淚盈框。在那一刻實在是非常以(勉強)身為太平洋群島大家庭的一員為傲!! (當然這一段滿天星斗下的祖先開導感覺也有呼應到獅子王中辛巴在大草原上跟Mufasa的對話呀~~)

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With the name of this England tour being 「英格蘭莊園歌劇節」, or「The English Garden Opera Festival」, it would be simply unforgiveable if I did not dedicate a whole separate article on what is of course the main focus of this trip – to appreciate the mesmerising tradition of opera music and to experience first-hand the charm behind the unique "garden opera" philosophy.

According to Charlie (our tour guide and also the boss of The One Travel Agency), the tradition of holding opera performances in the English countryside initially began as an intention to enhance appreciation of opera music, which was becoming increasingly difficult in the hustle and bustle of city life. By shifting the venue outside of urban settings, and moving the commencing time of the performance forward to late afternoon, each concert encourages the audience to take more time off work and turn the trip into a special treat. This is further helped by the extension of the interval to a whooping ninety minutes in order to set aside sufficient time to relax and have dinner – whether it's a casual picnic on the sun-kissed lawns, a comfortable snooze in the elegant rows of gazebos, or a more elaborate affair in the specially set-up fine-dining restaurants with menus designed by acclaimed chefs. When you follow up all of this with a peaceful stroll through the picturesque gardens decorating the grounds near the opera theatre, it seems effortless to drift away from the suffocating stress and exhaustion that naturally gathers around the draining routines and realities of a modern lifestyle.

Coincidentally, the three opera festivals we were booked in to attend all had names that started with "G" – Garsington, Grange Park, and Glyndebourne. And it was in this order that we completed our repertoire of three operas and one musical. While these festivals may have stretched over one or two of the Summer months, each performance is limited to 500-600 viewers due to seating capacity (with the exception of Glyndebourne, the renovation of which in 1994 saw an increase of this number to just over 1000). Because of this, these festivals are often privately run and the smaller demand also allows for longer rehearsal and preparation times for the performers. When combined with a consistent collaboration with specific orchestras year after year, it should come as no surprise then that such high-calibre performances are made possible (both in terms of the musician conditions and the quality of stage production).

Garsington Opera was the first opera festival we attended, and the "L'Italiana in Algeri" was scheduled for our second evening in England. Having originally started out in1989 by a wealthy banker in a suburb near Oxford called Garsington (which is no longer its current location but the name has clearly stuck), Garsington Opera Festival's fame in England is apparently only second to Glyndebourne. The current setting of this festival is in Wormsley Estate, and the theatre itself is perhaps the most "modern" of the three festivals we attended. While this is probably due to the fact that the entire theatre gets demolished at the end of the festival and then laboriously rebuilt in the next, the theatre's majestic design that had been constructed out of steel, timbre and canvas seemed so comfortingly solid that it would have been hard to believe that the building was not a permanent fixture of the Estate had Charlie not informed us of this fact on the coach. What was also unique about this venue was the mesmerizing tranquility of a nearby pond in addition to the expected greenery and vast amount of open space. Softly glittering in the weaning sunlight, the large body of water somehow echoed well with the sparkling gold and white theme of the set and added just that final touch of magic to the pre-show excitement.

Despite what I had previously read online regarding the dress code for such garden operas that suggested a much more casual atmosphere in recent years (perhaps to attract a younger audience), the feeling I sensed as I stepped off the coach and made my way to the theatre was that opera is still a music genre for the "elite"; and having been that way for so long (at least in England), I imagine it would indeed take at least a few more years to change this perception. What primarily prompted this impression was all the immaculate tuxedos that floated around us as we neared the foyer of the theatre, and the numerous champagne buckets and canapé platters around which groups of posh-sounding people stood and chatted (this last point probably couldn't be helped I guess - all English accents sound a bit more posh than the drolls of Kiwi accent!).

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This year has consisted of multiple journeys.

The move to Auckland to embrace the excitements and opportunities of city life.

The pursuit of a new degree in Humanities and Information and Library Studies.

The challenge to keep my wits in the notorious city traffic and harshly materialistic Auckland pharmacy world.

The quest to discover the intrigues of Maori culture in order to become one of the pioneering Mandarin Experience Hosts at the Auckland War Memorial Museum.

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愛在八點檔

雖然距離這首單曲發行的日期已有一段時間,最近偶然在綜藝節目上看到好久不見的蔡旻佑演唱這首之後真的覺得在腦海中一直揮之不去啊~ 可愛的歌詞加上輕快的旋律只要一哼唱就像氣泡糖一樣在舌尖雀躍地舞動,是一首越聽越會情不自禁嘴角上揚的作品!

更有趣的是聽完「愛在八點檔」後一時興起挖出了他歷代的專輯復習了一下,然後忽然驚覺其實可以很明顯的聽出他在歌藝與感情表達上的成長。瞭解到原來這位音樂才子這麼多年來一直在努力不懈地為自己的夢想打拼後又讓我對他萌生起更深一層的敬佩~ 並慚愧的回想起當初大一時拼命收集阿薩姆奶茶的條碼只求有機會讓米雅見偶像一面似乎只是膚淺的被他燦爛的笑容迷倒 XD 勇敢追求自己的興趣雖然在近代年輕人中已逐漸普及,但尤其在眾星雲集的演藝界單單有膽識我想恐怕也不容易生存。但願皇天不負苦心人,讓如此身兼創作才華與表演熱忱,靦腆笑容下也總是閃耀著堅毅眼神的他,終究能順利在歌壇中取得一席之地,找到屬於自己最燦爛的舞台。

(話說真的中邪了… 希望一時手滑預購的新專輯不辜負期待啊 哈哈哈 要不然我就只好淪落為悄悄收藏偶像寫真集的國中小女生了!?)

愛在八點檔
作詞:周煒傑

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Sewing. Savvy. Small Town. Secrets. Subterfuge.

Revenge.

It takes some quirky wit and master-class storytelling to weave these words into one vibrant tale, and The Dressmaker has done just that.

To be honest I had my doubts about seeing this film. Despite having absolute confidence in the amazing acting skills of Kate Winslet and the attractive element of gorgeous dressmaking incorporated into the story, I have never understood the art of black comedy as much as I should have. On top of that, I had heard many mixed reviews and there just didn’t seem to be a strong enough incentive to push me over the fence. That is, until last week, when both Anne and one of my lovely technician colleagues mentioned going to see it and loving it so much that they expressed a strong desire to go and see it again. Anne, in particular, felt a deep connection to the story as she had lived in the rural town of Murchison in the 60’s (as opposed to the 50’s setting of Dungatar in The Dressmaker), and she could not contain a smile as she reflected on the odd parallels between the two in terms of the strange personalities and gossip culture in such close-knit communities. Upon hearing these heartfelt accounts, I hardly needed any more encouragement.

Based on the novel of the same name by Rosalie Ham, The Dressmaker follows the journey of Myrtle ‘Tilly' Dunnage as she returns to her hometown of Dungatar in rural Australia in 1951 after being sent away on murder charge at the age of ten. Although initially set on revenge, Tilly was determined to shed light on her past with the help of her sewing machine and a strength in character that was to take the quiet little Victorian town by a storm. Along the way, the audience is introduced to a whole array of strange characters that make up the unique community, each bearing secrets that could be essential for untangling the truth behind Tilly’s tumultuous departure.

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All or Nothing - Mike's Chair

今天來推薦一張很不錯的專輯~

雖然一直以來都覺得自己絕不是很狂熱,或甚至是很虔誠的基督徒 (?),但基督教裡有關凡事心懷感恩以及正面思考的教誨還是經常覺得受用良多!自從開始開車通勤後也經由老姊推薦開始收聽Life FM (紐國福音電台)。有別於其他國內的廣播電台,早晨節目裡面鼓勵人心的談話內容感覺對提升動力好面對一整天的工作老實說真的有不小的效果~ 本來以為受到長老會的影響除了傳統的詩歌外應該比較難接受現代版的創作與詮釋,但接觸多了以後沒想到也漸漸覺得是個新鮮的改變。接下來介紹的這個美國基督教團體 MIke's Chair 也是幾個禮拜前某天下班回家途中偶然在廣播上聽到的 (偏偏又錯過DJ的介紹所以回家google歌詞好久才終於找到... 本來自以為很會猜歌名但沒想到竟不是 "Show Me" 可惡! XD) 當時播放的這首『People Like Me』一聽到立刻就非常喜歡。雖然歌詞有點黑暗,但搭配上旋律便頓時覺得很打動人心,有種靈魂被洗淨得到救贖的錯覺!? (笑) 同一張專輯內的『All I Can Do』以及『All to Jesus』也是很棒的曲子喔~

People Like Me

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Colosseum!!

羅馬被稱為「永恆之城」,有長達2700多年的歷史。這期間從羅馬共和國的首都轉變成羅馬帝國的首都,又化為教皇國首都長達11個世紀,後來又成為意大利王國統一後的王國首都。但無論領導者如何變遷,又不管歷史上有多激烈的風雨摧殘,只有羅馬永恆。相信對古羅馬有興趣的朋友們也一定聽說過羅馬建國的神話故事 – 從前阿爾巴國的國王被兄弟阿穆利烏思因為搶奪王位而被驅逐出境,而國王唯一的女兒西爾維婭也被禁止生育,以防止國王的子孫報仇。但西爾維婭違背了他的約束,與戰神瑪爾斯相愛並生下了一對雙胞胎。當阿穆利烏思下令把這對雙胞胎遺棄在臺伯河畔時,一只母狼哺育了他們,後來又被一位牧羊人發現並把他們養大,分別命名為羅馬拉斯 (Romulus) 和雷摩斯 (Remus)。這對兄弟在長大後得知了自己的身世,並回去找阿穆利烏思報仇。最後雖然兄弟倆贏得了勝利並幫助父親恢復了王位,卻在決定合力創建新城市時又因為爭奪王位發生了爭執。羅馬拉斯最終殺死了雷摩斯,成為新城的國王並以自己的名義來命名這座新城 – 羅馬。

跟威尼斯比較起來,羅馬或許因為地理位置偏南又炎熱許多。也之所以在義大利的這最後兩天重點行程大多都放在一大早。不過因為我們到的第二天剛好碰到一個月的第一個禮拜天,羅馬競技場跟緊鄰的古羅馬廣場 (Roman Forum) 門票都免費,人潮從我們八點多從旅館漫步過去一路上就已經綿延不絕。尤其是競技場外的隊伍更是令人一看就想打退堂鼓。幸好我們三人都抱著隨緣的心態,便跳過了站在競技場外一圈又一圈汗流浹背的人群直接前往古羅馬廣場。這次參觀時雖然沒有請專業導覽,但我事先有在手機上下載ItalyGuides.it的語音導覽APP所以都還是可以比較詳細的瞭解每座古蹟背後的歷史背景。而且不愧是永恆之城 – 連看過在歐洲別處許多古羅馬遺跡的玉伯嫂都不禁讚嘆說這裡的保存得最完整並且很值得一看!真的很難以置信腳下踩的凹凸不平的石塊便是兩千多年前古羅馬人每天通行的石街,不過光是抬頭看到四周圍已歷經漫長歲月卻依然雄偉閎壯並堅立不搖的凱旋門,神廟,還有元老院等等就不難想像這片土地過去興盛輝煌的日子。我印象最深的是安托尼努斯和法烏斯提那神廟 (好長一串啊這個名字 XD)  - Temple of  Antoninus and Faustina。這座神廟是為了紀念羅馬皇帝 Antoninus Pius 和他的皇后 Faustina於141年所修建的。而它之所以到如今還保存得這麼完善是因為在中世紀時曾被改造為教堂,因此僥倖逃脫了被拆除並把建材回收拿去修建其他建築的命運 (當時因為運送建材的不便利許多其他遺跡都淪落此下場 – 像是競技場許多的石塊以及萬神殿外層原有的黃金最後都紛紛被拿去建造梵蒂岡的聖彼得大教堂)。而這座神廟的前門為什麼像浮在半空中呢? 因為當這座教堂的門被設立時,也就是中世紀把這座建築改成教堂時,當時的地面就是那麼高。可見就算是這氣派非凡的城市也不受時間的留戀,有多久是被遺忘並沈睡在歷代的人們腳下,任由大自然輕輕的蓋上一層層的沙塵。或許就像現在整座羅馬城下其他的歷史碎片一樣,還在靜靜的等待重見天日的那一刻。

在羅馬時另一個有去朝聖的景點便是玉嫂讀到的「世界十大咖啡廳」中所介紹到的另一家咖啡廳 – Caffe Greco。於1760年開張,除了上次在威尼斯有造訪的Caffe Florian,這座咖啡廳便是全義大利歷史最悠久的咖啡廳。 雖然從外觀看意外的並不算起眼,它在於西班牙階梯正前方街道上的便利位置使得光臨的觀光客也不在少數。或許是因為從差不多年代開始經營的關係,裡面的裝潢跟Caffe Florian一樣走貴氣華麗的風格以迎合當時的社會風氣。但比較特別的是除了無數表著金色框架的畫作跟鏡子外,牆上還掛著許多保存多年的名人書信還有照片或梢像畫,由此可見這裡一直是長久以來頗有名氣的聚集所。而一看到進門左方的玻璃櫃中擺放著琳琅滿目的甜點,玉伯當然也豪爽的點了一大塊檸檬蛋糕跟一些色彩繽紛的水果糖 – 搭配上我點的清涼冰咖啡 (“Shaked Ice Coffee” – 跟碎冰塊一起搖過的義式濃縮咖啡??) 簡直是天作之合啊~

既然來到羅馬當然也不能錯過期待已久的天主教之國 – 梵蒂岡! 之前在網上查詢時很幸運的找到了一家美國的導覽公司叫Walks of Italy,而他們提供的Pristine Sistine導覽據說一向都獲得很高的評價。原因是他們不但重視小團體行動 (一位導遊大約最多同時帶七八個團員),還保證能比一般觀光客早一個小時進博物館參觀,避免寸步難行的擁擠 (尤其是西斯汀教堂內!) 。雖然在參觀的將近四小時都沒拍照因為早就為了防備扒手而把手機托給玉伯嫂保管,但老實說整個博物館令人目瞪口呆的收藏能輕易的用相機捕捉的實在有限… 不要說聖彼得大教堂裡巧奪天工的眾多雕像以及金碧輝煌的天花板雕刻,就連傳說當年成為米開朗基羅最喜愛的研究作品之一的「拉奧孔與兒子們」也很難在平面的相片上散發出相同的能量跟美感。當然西斯汀教堂內米開朗基羅完成的『創世紀』跟『最後的審判』濕壁畫光是一抬頭就會讓人跌坐在長椅上的震撼力我想又是另一樣非得親眼欣賞琢磨的歷史性鉅作。況且之前很喜歡由丹布朗的小說改編的電影『天使與惡魔』,所以在參觀的同時腦海中便一直重複播放電影中教皇選舉會議的畫面總覺得有種格外的感動。另外一個小巧合就是此趟的導遊竟在多年前去過Nelson採蘋果打工度假!! 能在世界的另一邊遇到住過同樣小鎮的人實在是一見如故,令人開心啊~ XD

至於在羅馬時嚐的美食或許是假期已接近尾聲了並沒有特別突出的餐點可以跟大家分享。倒是在萬神殿以及旅館附近一家海鮮很不錯的餐廳 Ristorante Fortunato al Pantheon 鬧出了誤以為點的是牛排跟蕃茄義大利麵結果端上來的是魚排跟一整條蕃茄醬汁烤魚的大笑話 (倒) 還有參觀完梵蒂岡後在萬神殿附近享用的另一間午餐餐廳外竟剛好碰上好萊屋的團隊在拍電影 (但興奮的看了半天只有一群臨演不停的在被指揮如何過街,並沒出現安潔麗娜裘莉或強尼戴普在拍『色遇』的續集之類的 XDD)!果然瞬間有種「不愧是在羅馬~」的感覺啊 XD (…是說尼爾森也曾有奧蘭多布魯跟羅素克洛出沒啦 哈哈哈)

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Sakura at Miyazu Gardens!

Alrighty - I think you have
all deserved a break from the Italy marathon so here’s the reward for all your
efforts to chew through my relentless stream of photos and (probably quite terribly)
researched Italian history… Spring is here at last!!!

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Venice!!

威尼斯於十四至十五世紀被譽為整個地中海最繁忙的貿易城市,也是義大利最強大和最富有的水之都 。然而十六世紀初,隨著哥倫布發現美洲新大陸,威尼斯逐漸衰落。最後終於在1797年屈於拿破侖的統治,有著一千多年歷史的威尼斯共和國從此滅亡。直至1849年反奧地利的獨立戰爭取得勝利,威尼斯地區和義大利才在1866 年實現統一,從此成為義大利的一個地區。而它確實也不辜負全世界最浪漫迷人城市之一的美名,不管是瀰漫著悲淒傳說色彩的嘆息橋,在眾多古橋下緩緩交織流動的水道,或是彷彿浮在海面上繁華的聖馬可廣場,每個角落都獨有一番情趣。也難怪每年會有成千上萬的遊客來到這裡想感受它獨特的美… 但實在是多到一種很可怕的境界!!尤其是嘆息橋前真的是被擠得水泄不通,呼吸困難,而且還要時不時提防會有扒手出沒跟被黑心的Gondola船夫或水上計程車司機騙錢,讓我們想好好享受情調的心情難免有受點影響。(半小時120歐元的Gondola Ride光想就不太對勁啊!! 重點是被塞在擁擠的小巷裡這種破壞情調的事發生的機率也極高,所以最後還是作了明智的決定自動捨棄這荒唐的傳統 哈哈哈)

話是這麼說,但我們還是很幸運的留下了幾個美好的回憶~ 像抵達威尼斯第二天搭船前往的兩座主要外島Murano (穆拉諾) 跟Burano (布拉諾),就讓我見識到了與威尼斯本島渾然不同的氣氛讓我留下很深刻的印象。雖說這兩個也算是主要景點難免還是有不少觀光客徘徊,而且我們停留的時間也不長,但博物館以及商店周圍純樸的民房跟富有巧思的街頭藝術品都明顯的有別於本島濃厚的商業氛圍跟雄偉的建築。Murano以製造色彩斑斕的Murano玻璃而聞名於世。據說1291年威尼斯共和國擔心玻璃廠的爐火會引起佈滿木屋的威尼斯城發生火災,下令威尼斯的所有玻璃廠遷往Murano群島,從此這裡成為七彩玻璃製造業的中心,並於17世紀初開始風行歐洲。之前在做旅遊功課時雖有重復看到Murano Glass這個名詞,卻還是在親眼看到它鮮艷亮麗的色澤時忍不住倒抽了一口氣。尤其對那輕巧細緻的工藝技術在遊覽了島上的玻璃博物館後又更增添了幾分敬佩,也理所當然禁不起誘惑的買了一條有玻璃吊墜的項鍊留念! XD 

至於Burano群島位於威尼斯北邊差不多七公里處,由五個小島跟四條運河組成。在十六世紀,Burano 因當地婦女精心縫製的手工蕾絲製品聞名而開始備受矚目,據說連達文西都曾於1481年買了出自這裡的蕾絲紡織品用以裝飾米蘭大教堂的主祭壇。而如今除了著名的蕾絲製品跟博物館,遊客也很多是為了島上粉刷成各種繽紛顏色的「彩色屋」而來。據悉,當地居民若想在自家外牆上漆,亦需特別申請,然後相關單位才會告知何色可使用。緊緊相依的一排排鮮艷房舍只要搭配上綿延的運河,便能輕易拍出如同身在故事書內夢幻可愛的紀念照。可惜的是當我們抵達這座島時恰巧是艷陽高照的正中午,炎熱之餘也就沒什麼興致在外面汗流浹背的取角度,只有草草拍幾張留念便迅速的躲進商店中 (身為只要為了拍照而在所不惜的台灣遊客等級似乎有待加強?? XD)。所幸在逛街時也有相中一件鑲有蕾絲領子的上衣可以彌補沒機會去造訪蕾絲博物館的遺憾。

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Lovely caffe latte in Florence!

7月26號在位於路卡(Lucca)郊區的La Magnolia餐廳享用完中餐後,我們家三人便告別了異數風格的其他團員包車前往同樣位在托斯卡尼的佛羅倫斯展開了十天的自由行延伸行程。

佛羅倫斯 (Florence 或Firenze) 為托斯卡尼省的首府。在十五世紀和十六世紀的梅迪奇時代達到經濟與文化上的鼎盛,也曾一度是義大利統一後的首都(1865 – 1871年)。城市座落在一個三面環繞著美麗的粘土山丘的寬廣盆地中心,義大利中部最重要的河流阿諾河(Fiume Arno) 從其市中心流過。佛羅倫斯被認為是文藝復興運動的誕生地。這座古城擁有眾多的歷史建築,和藏品豐富的博物館,更是歷史上許多文化名人的出身地。比較出名的有詩人但丁 (Dante) ,畫家李奧納多達文西 (Leonardo da Vinci),米開朗基羅 (Michelangelo),科學家伽利略 (Galileo),雕塑家多納太羅 (Donatello) 等。

在脫團之後老實說又更能感受到觀光客人潮的壓迫感(或許也是因為異數風格都挑比較與眾不同的景點)。剛到佛羅倫斯那天下午我們便迫不及待的到市區街道探索,但越接近指標性的景點就越顯得吵雜擁擠。尤其是聖母百花大教堂 (Basilica di Santa Maria del Fiore) 還有老橋 (Ponte Vecchio) 附近更是顯得寸步難行。但暫且不說人擠人的恐怖的話,佛羅倫斯真的是絲毫沒辜負人稱文藝復興象徵的美名。漫步在從古至今無數偉人走過的石街上只要隨便抬頭一看便是一座已矗立幾百年的雕像或是一棟來歷非同小可的教堂皇宮。也就是為什麼當下常會邊望著眼前伸手可及的古蹟邊作好在這短短的四天內除了扮演好蹚目結舌的鄉巴佬角色外,就不可奢望能吸收多少歷史知識的心理準備 (幸好現代科技這麼方便,隨時要複習相關的資訊都可以很輕易的在網上找到真幸福~)。

在佛羅倫斯的其中一天我們很幸運的有請到整天的中文導遊翁小姐還有司機幫我們作San Gimignano (聖吉米尼亞諾) 跟 Siena (錫耶納) 的私人導覽。這兩座中古世紀的山城分別都位於朝聖大道上所以主要街道兩旁的教堂不勝其數,而其中我最印象深刻的還是Siena的哥德式大教堂 (Duomo di Siena)。這座於1263年完工的教堂建築本身除了正門美輪美奐,精雕細琢的外表之外,採用的大理石顏色也非常特別。教堂內部除了有交替著用黑色跟白色以代表成立這座城市的兩位將軍 (Senius跟 Aschius) 坐騎的顏色,另外還用了Siena特有的粉紅色以及黃色大理石作點綴,讓原本就佈滿整座教堂地面的宗教圖又顯得更加震撼令人眼花繚亂。

除了教堂外這兩座古城也各自有非常有意思的觀光行銷手法(?)。雖說San Gimignano 有名的是它許多以前貴族為了宣示家族權勢的高塔,但因為我們沒時間上去仔細觀看所以反而對街上的小店比較有興趣 – 像是托斯卡尼區色彩鮮艷亮麗的陶器,還有San Gimignano出產的典雅手染麻布。我們逛的那家布店一進去就看到了掛飾著很多橄欖樹以及葡萄園這種雅緻的典型托斯卡尼圖案不禁就會愛不釋手,陶醉得想把整家店都包下來啊~ 如果每天進房間就能看到床上或桌上鋪着這種有濃濃義大利風格的裝飾應該就會有一直在度假的錯覺吧 哈哈哈 (最好就是有這麼好用) Siena有名的則是每年在七月以及八月舉辦的兩次Palio無鞍賽馬大會。這項盛會據說從中世紀就流傳至今,而選手們分別來自16個不同的街區並各有傳統的代表色跟旗幟,場面十分浩大。所以用來作賽馬場地的巨大扇形廣場Piazza del Campo也因此名聲大噪。雖說這次無緣親眼目睹這個獨特的活動,但其實光想到我能站在「茱麗葉的信」中我印象極深的拍攝場景我就已經很滿足了(淚) 另外有機會不用跟著團體逛古城也更有閒情逸致能欣賞到在蜿蜒小巷中陽光照射的陰影搭配上古樸的木窗這種恬靜又美妙的小地方。

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